孤独、死亡和魔幻：马尔克斯《梦中的欢快葬礼和十二个异乡故事》的三大命题  

Loneliness,Death,Magic:Three Themes in The Happy Funerals in Dreams and Twelve Foreign Stories by Marquez

作　　者：刘晓慧 LIU Xiaohui(School of Liberal Arts,Soochow University,Suzhou 215123,Jiangsu,China)

机构地区：[1]苏州大学文学院

出　　处：《安康学院学报》2019年第5期35-39,共5页Journal of Ankang University

摘　　要：《梦中的欢快葬礼和十二个异乡故事》是马尔克斯的一部短篇小说集,该小说的创作缘于一个醍醐灌顶的梦,马尔克斯将其解释为身份认同感的觉醒。与马尔克斯对社会身份的自我认知密切相关的是他作品中最重要的“孤独”和“死亡”的创作母题。历来,批评家习惯于给马尔克斯的创作贴上“魔幻现实主义”的标签。一方面,马尔克斯拒绝这一批评术语,并认为这个标签源自西方世界对拉美的误解。另一方面,马尔克斯的创作又深受欧洲现代派文学的影响,表现出鲜明的魔幻和奇异色彩。可以说,马尔克斯时刻忧虑和关心着拉美的处境,在自我追寻的路上又积极融入到欧洲的文学氛围中,并结合本土社会环境和文化背景进行创作,最终形成其鲜明而独特的魔幻现实创作风格。Happy Funerals in Dreams and Twelve Foreign Stories was a collection of short stories written by Marquez,which was based on a inspired dream that Marquez had explained it as an awakening of identity. Lonely and death was the most important theme in his work which is relevant to the social identity of Marquez’s self-perception. Traditionally,critics have been accustomed to label Marquez’s creation as magical realism. On the one hand,Marquez rejected this critical jargon and believed that the label originated from the western world’s misunderstanding of Latin America. On the other hand,Marquez’s creation was deeply influenced by European modernist literature,which showing a distinct magic and strange color. It can be said that Marquez worried and concerned with Latin American situation,and on the way of self-pursuit,he not only integrated in the European literary atmosphere but also combined with the local social environment and culture background. Finally,formed its distinctive and unique magical reality creation style.

关 键 词：《梦中的欢快葬礼和十二个异乡故事》 孤独 死亡 魔幻现实主义 

分 类 号：I106.4[文学—世界文学]