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作 者:罗振亚[1] 崔筱[1] Luo Zhenya;Cui Xiao
机构地区:[1]南开大学文学院
出 处:《南京师范大学文学院学报》2019年第3期96-103,共8页Journal of School of Chinese Language and Culture Nanjing Normal University
摘 要:程千帆先生的新诗创作中不仅传达着现代人独特的情思感知,更带有浓厚的古典气息,这与他古典文学研究者和旧体诗词写作者的双重身份尤为相符。他的现代诗透过洋溢古典风韵的新体式,用“冷处理”和“冷幽默”的言说方式节制内心澎湃的诗情并宣泄对侵略者的满腔怒火,形成在“冷”与“热”的平衡中抒发诗情的独特艺术风格。这样的诗艺探索也成为了20世纪30、40年代新诗通过汲取古典艺术理念表达现代诗学追求的重要佐证。Cheng Qianfan's modern poems not only convey the unique feelings as a modern person, but also have a strong classical atmosphere, which is especially consistent with his dual identities of a classical literature researcher and an old-style poetry writer. Through the new form of classical charm, his modern poems use the “cold treatment” and “cold humor” to control the inner sentiment and vent the anger to the aggressor, forming the unique artistic style of poetry in the balance of “cold” and “hot”.This kind of poetic exploration also provides an important evidence that the modern poems have assimilated artistic conception from classical poetry in the 1930s and 1940s.
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