牛弘制乐思想初探  

Niu Hong’s Thoughts of Making Official Music

作　　者：李波[1,2] LI Bo

机构地区：[1]西北大学 [2]渭南师范学院

出　　处：《浙江艺术职业学院学报》2019年第2期57-63,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：中国博士后基金项目“牛弘音乐文献整理与研究”(项目编号:2016M602848)成果

摘　　要：牛弘在隋朝“开皇乐议”期间,以太常卿之职参与议乐并总知其事,是隋朝朝廷正乐的主持者。牛弘在论乐之初通过对制乐历史的梳理首先阐明了隋朝“开皇乐议”的政治意义和文化价值,从而奠定了隋朝修乐的基本格调。在正乐的过程中,牛弘制乐思想的终极原则虽以帝王的可否为准,但是他也采用一套较为灵活的制乐思路:聚集知音之士、旁求博闻儒彦,广征博引、参古酌今,在声律方面、音乐礼仪制度方面确定了各方都能接受的方案。而亲自参与理论探讨、注意保护音乐遗产则是牛弘制乐思想的另一种呈现。毫无疑问,研究牛弘制乐思想是我们全面认识“开皇乐议”的重要一环。During the period of the “music discussion in the Kaihuang reign”, Niu Hong was involved in the discussion of the music and was always aware of the work of Tai Changqing, and was the person in charge of the official music.At the beginning, Niu Hong first clarified the political significance and cultural value of the “music discussion” in the Sui Dynasty, and then determined the basic style of the official music.In the process of making official music, the ultimate principle of Niu Hong ’s thoughts on music is based on the emperor ’s right, but he also adopts a more flexible concept of temperament by gathering the people of knowledge, and asking for the knowledge of Confucianism. In terms of temperament and music etiquette systems, the guidelines have been accepted by all parties. Personally participating in theoretical discussions and paying attention to protect the music heritage is another contribution of Niu Hong in the production of music. Undoubtedly, studying the idea of Niu Hong ’s music is an important part of our comprehensive understanding of the “music discussion in the Kaihuang reign”.

关 键 词：牛弘 “开皇乐议” 制乐思想 

分 类 号：J609.2[艺术—音乐]