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作 者:吴筱婕 WU Xiaojie(College of Literature,Fujian Normal University,Fuzhou Fujian350007,China)
机构地区:[1]福建师范大学文学院
出 处:《成都理工大学学报(社会科学版)》2019年第5期97-102,共6页Journal of Chengdu University of Technology:Social Sciences
摘 要:作为现代抒情小说开端的“自叙传”小说,该流派的生成和演变轨迹还有待系统回溯。以现代词义分析和词源分析为切口来看,日本“私小说”对中国“自叙传”小说生成的源流性和主流性的影响显而易见。而后,该流派作家们在中国传统文学、浪漫主义思潮以及欧洲文学的多方暗涌源流影响下,才形成了“自叙传”小说这一中国现代文坛上极具特殊魅力的小说流派。尽管后来随着时代思潮和社会的变动,该小说流派只经历了短暂的繁荣,但它丰富了中国现代文学第一个十年的文坛,使得中国现代抒情小说在思想和审美上均有了新的向度,也潜在影响了中国现当代小说的后续发展。As the beginning of modern Lyric novel,“autobiographical”novel,the generation and evolution of this genre need to be traced back systematically.From the perspective of modern lexical analysis and etymological analysis,the influence of Japanese“private fiction”on the origin and mainstream of Chinese“autobiographical”fiction is obvious.Under the influence of Chinese traditional literature,Romanticism and the multifaceted undercurrent of European literature,the writers of this genre formed the“autobiographical”novel,a novel genre with special charm in modern Chinese literary circles.Although the school of fiction only experienced a short period of prosperity with the changes of the times and society,it enriched the literary arena of the first ten years of modern Chinese literature and made the modern Chinese lyric novel have a new dimension in ideology and aesthetics.It also has a potential impact on the follow-up development of modern and contemporary Chinese fiction.
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