浙图藏《九宫谱》版本与查继佐曲学思想考  

Zhejiang Library’s Jiugong Pu and Zha Jizuo’s Music Philosophy

作　　者：黄金龙 HUANG Jinlong

机构地区：[1]苏州大学文学院

出　　处：《文化艺术研究》2019年第3期45-52,共8页Studies in Culture and Art

基　　金：国家社科基金重大项目“《南戏文献全编》整理与研究”（项目编号：13&14ZD114）的阶段性成果

摘　　要：《九宫谱定》十二卷《总论》一卷,清东山钓史、鸳湖逸者同辑,浙江省图书馆孤山馆区藏有完整版本,但破损较为严重,原书版本信息页和序文页均缺损不见,内文字迹亦多有模糊。经与郑振铎藏本、苏州图书馆藏金阊绿荫堂刻本对比分析,可以确定三者为同一刻本。《九宫谱定》最终完成于查继佐入粤期间的顺治十四年(1657)至顺治十六年(1659),最终刊行应在顺治十七年(1660)的四月到秋末。该曲谱上承沈璟《增定查补南九宫十三调谱》、王骥德《曲律》,在理论与舞台实践方面进行了有益的探索和尝试,有一定的创见,其曲学思想影响了《钦定曲谱》,张大复的《寒山堂曲谱》《九宫大成南北词宫谱》,吴梅的《南北词简谱》《曲学通论》,许之衡的《曲律易知》,王季烈的《螾庐曲谈》等曲谱的编排和对南曲格律方面的订正,因此,在南曲谱研究上应引起重视。A copy of Jiugongpu: The Definitive Edition , edited by Dongshan Diaoshi and Yuanhu Yizhe, consists of twelve volumes and one introduction, was Zhejiang Library's collection. It was complete yet dilapidated, its information page and introduction lost, and its text blurred. It was the same edition as the copies in Zheng Zhenduo's and Suzhou Library's collection. Jiugong Pu: The Definitive Edition completed during 1657-1659, when Zha Jizuo was in Guangdong, and was printed during April 1660 to autumn, 1660. This book inherits the legacy of Shen Jing and Wang Jide, makes significant contributions to the development of performance art, has influenced a great deal of music scores and music theories, and shall be paid more attention.

关 键 词：《九宫谱定》 《九宫谱定总论》 查继佐 指板谱 南曲格律 

分 类 号：J805[艺术—戏剧戏曲]