民俗文物的保护和利用——以“原平炕围画”为例  

Protection and Utilization of Folk Cultural Relics——Taking "Yuanping Kang Wei Painting" as An Example

作　　者：邢倩 XING Qian(School of History and Culture,Chifeng University,Chifeng 024000,China)

机构地区：[1]赤峰学院历史文化学院

出　　处：《赤峰学院学报（哲学社会科学版）》2019年第9期23-27,共5页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

摘　　要：炕围画是一种集壁画,年画,油画于一身的汉族民俗文化。集中分布在山西北部,尤其是原平农村更是常见。原平炕围画具有美化性、教育性与多样性等艺术特性,使得炕围画在众多民俗文化中脱颖而出。随着传承人老龄化的比例增加,越来越多的炕围画传承人转行,传统炕围画艺术走向了衰落。为了保护濒临炕围画艺术,保护炕围画传承人,关心他们的日常生活和精神世界,重新焕发炕围画的生机和活力;积极开展民俗文化宣传活动,利用现代科技与传统炕围画相结合,使炕围画艺术最大可能保存下来;将炕围画运用到陈列展览中,创办炕围画文化艺术园,使越来越多的人认识到这种传统民俗文化,使得炕围画艺术得以长久的发展。Kang Wei painting is a collection of murals, New Year paintings, oil paintings in one of the Han folk culture. Concentrated in northern Shanxi, especially in rural areas of Yuanping, is more common.Yuanping Kang Wei painting has the artistic characteristics of beautification, education and diversity,which makes Kang Wei painting stand out in many folk cultures. With the increasing proportion of the inheritors, more and more people of the Kang Wei painting have changed careers, and the art of traditional Kang Wei painting has declined. In order to protect the art of painting around the Kang, protect the people of the Kang Wei paintings, care about their daily life and spiritual world, and renew the vitality and vitality of the Kang Wei painting. Actively carry out publicity activities of folk culture, the use of modern science and technology and traditional Kang Wei painting combined, so that the art of Kang Wei painting most likely to survive. The Kang Wei painting was applied to the exhibition and set up the Kang Wei painting culture and Art Park, which made more and more people realize this traditional folk culture,and made the art of Kang Wei painting develop for a long time.

关 键 词：炕围画 民俗文化 保护 

分 类 号：G264[历史地理—考古学及博物馆学]