“陌生化”艺术表达在岭南题材舞蹈编创中的应用  

The Application of Artistic Expression of “Strangeness” in the Lingnan-Themed Choreography

作　　者：郑萌 ZHENG Meng(General Education Center, Guangdong University of Technology,Guangzhou 510006 , China)

机构地区：[1]广东工业大学通识教育中心

出　　处：《北京舞蹈学院学报》2019年第4期96-100,共5页Journal of Beijing Dance Academy

基　　金：2015年度国家社科基金艺术学项目“现当代舞蹈创作的‘透视性’舞台调度研究”(项目编号:15CE139)

摘　　要：舞蹈创作中的审美"陌生化",其本质在于摆脱思维的惯常化制约,拉开审美距离,制造令人"惊奇"的审美效果。手段主要有:舞蹈选材"为意而奇",即选取可信而且可以引起惊奇的题材,激活观众兴奋点;动作语言以"新"而奇,即消解风格化,多维度、多手段地突破前在性期待视野;情节结构以"怪"为奇,即对表现对象的常规视角予以突破,避免叙事的无奇;道具运用以"妙"为奇,即制造玄机,辅助动作语言的惊奇表达。近年来岭南题材舞蹈创作产生了大量的优秀作品,以"陌生化"诗学理论为研究方法,探讨当代舞蹈创作中的艺术自觉与"文化想象"。当代舞蹈创作的"陌生化"在凸显中国舞蹈艺术的区域与风格特征方面有一定的美学价值。The essence of aesthetic "strangeness" in choreography lies in getting rid of the habitual restriction of thinking, opening up the aesthetic distance and creating the aesthetic effect of "amazement". The main means are: the selection of dance is "for the purpose of surprise", that is, selecting the themewhich is credible and can cause amazement, as well as activating the excitement of audience;the movement language is "new" and surprising, that is, to dissolve the stylization, break throughpre-existing visionof expectations with multi-dimensions and multi-methods;the plot is "eccentric", that is, to break through the conventional perspectives of the object, avoid non-surprising narration;the application of props is "clever", that is, to create mysteriousness, assisting in the amazing expression of movement language. In recent years, Lingnan-themed dance creation has produced a large number of excellent works. The poetic theory of "strangeness" is employed as a research method to explore the artistic consciousness and " cultural imagination" in contemporary dance creation. The "strangeness" of contemporary dance creation has certain aesthetic value in highlighting the regional and stylish characteristics of Chinese dance art.

关 键 词：当代舞蹈 “陌生化” 审美距离 岭南文化 艺术自觉 

分 类 号：J704[艺术—舞蹈]