动漫《海贼王》的多元文化解读  

Analysis on the Multicultural Phenomenon in One Piece

作　　者：张海燕[1] ZHANG Hai-yan(School of Literature,Shanxi Datong University,Datong Shanxi,037009)

机构地区：[1]山西大同大学文学院

出　　处：《山西大同大学学报（社会科学版）》2019年第5期78-81,共4页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：自1997年《海贼王》开始在周刊《少年JUMP》上连载,至今已有20年多的时间,《海贼王》受到世界各地受众的喜爱与赞誉。这部动漫对东、西方文化进行了吸收和改造,融合了多国的文化元素。对《海贼王》中多元文化现象进行剖析,进而探究《海贼王》实现跨越文化背景传播的原因,从而为我国动漫产业的发展提供一些可以借鉴的经验。Since 1997,One Piece has begun to serialize in weekly magazine Young Jump.For nearly 20 years,One Piece has been popular with audiences around the world.This animation has absorbed and transformed both eastern and western cultures,it has also fused many cultural elements.In this article,the multicultural phenomenon in One Piece is analyzed,the author also probes into the reasons why One Piece spreads across the cultural background,so as to provide some experiences for the development of animation industry in our country.

关 键 词：动漫 《海贼王》 多元文化 反思 

分 类 号：J954[艺术—电影电视艺术]