20世纪五六十年代革命圣地题材美术创作——以广州农民运动讲习所的表现为中心  

The Revolutionary Shrine Themed Art Works in 1950s and 1960s:A Study Focuses on the Art Practice of Guangzhou Peasant Movement Training Institute

作　　者：李若晴[1] Li Ruoqing

机构地区：[1]广州美术学院美术史系

出　　处：《美术》2019年第10期90-95,共6页Art Magazine

基　　金：广东省普通高校省级(基础研究及应用研究)重大项目(社会科学类)“晚清及民国时期广东地区的书画网络与区域竞争”(编号2016WZDXM021)阶段性成果

摘　　要：农民运动讲习所是著名的革命圣地,新中国成立初期,出现了大量以之为主题的美术作品。本文以杨之光、詹建俊的作品为例,讨论20世纪50年代以农民运动讲习为表现内容的革命历史题材美术创作,通过对那个时代“星火燎原馆”陈列的研究,分析艺术家如何围绕相关主题进行创作,并在对关山月、钱松嵆等人的革命圣地山水画的引证中,指出这一时期对传统山水両进行改造的思想内涵以及创作方式的变革,从而揭示新中国成立初期革命圣地题材美术作品的表现形式、风格演进与发展历史。The Peasant Movement Training Institute is a famous revolutionary shrine,and in the early days of the founding of the Peoples Republic of China,there were a large number of an works of this theme.Taking the works of Yang Zhiguang and Zhan Jianjun as an example,this thesis discusses the artistic creation of revolutionary and historical themes based on lectures of peasant movements in the 1950s;through studying the display in'prairie fire exhibition hair*,it analyzes how artists create with related themes,and by quoting the revolutionary shrine landscape paintings of Guan Shanyue,Qian Songyan and others,it points out the transformational thought of the traditional landscape paintings at that time,revealing the expression form,style evolution and development history of art works with revolutionary shrine themes in the early days of the founding of the New China.

关 键 词：革命圣地题材美术 农民运动讲习所 组织创作 三结合 

分 类 号：J209[艺术—美术]