从“汉服”到“华服”:当代中国人对“民族服装”的建构与诉求  

An Evolution from “Hanfu”(Apparel Han) to “Huafu”(Apparel Hua) :the Construction and Appeal of Contemporary Chinese “National Costume”

作　　者：周星[1] 杨娜[2] 张梦玥 ZHOU Xing;YANG Na;ZHANG Mengyue(International Center for Chinese Studies, Aichi University, Nagoya, Japan 4538777;Research Center for SociologicalTheory and Methodology, Renmin University of China, Beijing 100872;Chongqing Industrial and Commercial Bank, Chongqing 40000)

机构地区：[1]日本爱知大学国际中国学研究中心,日本名古屋4538777 [2]中国人民大学社会学理论与方法研究中心,北京100872 [3]重庆工商银行,重庆400000

出　　处：《贵州大学学报（艺术版）》2019年第5期46-55,共10页Journal of Guizhou University Art Edition

摘　　要：文章结合21世纪初以来国内外有关“汉服”“华服”等实践活动,基于对“民族服装”范畴的基本理解,着重探析“汉服”与“华服”这两个概念的定位和差异。在将“汉服”和“华服”分别对应于当代“汉族”和“中华民族”(中国人)的基础之上,文章进一步讨论了“现代汉服”的建构之于“华服”的关系问题,以及汉服运动对于未来“华服”体系的形成与发展所可能具有的重要意义。Based on the practical activities at home and abroad concerning “Hanfu” and “Huafu” since the beginning of the 21st century, this essay mainly analyzes the orientations and differences of these two concepts “Hanfu”(Apparel Han) and “Huafu”(Apparel Hua) from the perspective of “national costume”.After correlating “Hanfu” and “Huafu” with “Han nationality” and “Chinese nationality” respectively, it then further discusses the construction of “modern Hanfu” and its relationship with “Huafu” and the significance of Apparel Han Movement in the formation and development of future "Huafu" system.

关 键 词：汉服 华服 汉族 中华民族 民族服装 

分 类 号：J523.5[艺术—艺术设计]