毕加索的《阿维农少女》与人格困境  

Picasso’s Les Demoiselles d’Avignon and Personality Predicament

作　　者：邵明[1] SHAO Ming(School of Government, Yibin University, Yibin, Sichuan 644000)

机构地区：[1]宜宾学院政府管理学院

出　　处：《贵州大学学报（艺术版）》2019年第5期81-87,共7页Journal of Guizhou University Art Edition

基　　金：国家社科基金西部项目“道德实践的动力机制问题研究”(项目编号:14XZX019)

摘　　要：作为现代艺术开端的《阿维农少女》,被毕加索引入了立体构图和原始意象这两种特殊的元素,显示人的原始生命力量不再束缚于传统的基督教伦理教条、世俗规范或理性逻辑的羁绊,而要求自身的正当性;但这同时却又隐含了西方现代社会心灵深处人格解体的危险。作品的多重主题在不断变换中显示出生命成长如何面对和消除精神世界内在困境这一深层思想内涵,以艺术手法从心理上预示了西方社会在20世纪的激烈动荡和冲突。Les Demoiselles d’ Avignon is viewed as the beginning of modern art in which Picasso introduced two distinct elements of stereoscopic composition and primitive image.They displayed a natural life that was not bound by traditional Christian ethics, secular norms or rationality with its own validity.Meanwhile it implied the peril of depersonalization that lay in the heart of modern western society.The constantly changing multiple themes in the painting revealed a deep reflection on how one can face and eliminate the inherent predicament in spiritual world and they mentally foreshadowed the intense turbulence and conflict Western society faced in the 20th century with artistic skills.

关 键 词：艺术社会学 毕加索 《阿维农少女》 立体主义 人格困境 

分 类 号：J233[艺术—美术]