梅氏理论视阈下的史诗《昂泰拉传奇》起源研究  

Research on the Origin in the Arab Epic "Antar, a Bedoueen Romance" from the Perspective of Melliekinsky’s Theory

作　　者：顾坚 GU Jian(College of International Studies, Center for Sudanese Studies, Yangzhou University, Yangzhou Jiangsu 225000, China)

机构地区：[1]扬州大学外国语学院/苏丹研究中心

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2019年第10期133-135,140,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：江苏省社会科学基金项目:“一带一路”背景下的阿拉伯英雄史诗《昂泰拉传奇》研究(17WWD004)

摘　　要：在蒙昧时代末期,阿拉伯人逐渐从部落时代迈向文明国家时代。在伊斯兰教兴起后,蒙昧时代以武勇和诗歌闻名阿拉伯半岛的骑士诗人昂泰拉的故事和传说逐步通过民间口头艺人的传唱和传承演变为史诗《昂泰拉传奇》。本文以梅列金斯基的英雄史诗起源理论作为分析工具,解析阿拉伯史诗《昂泰拉传奇》的起源,探究《昂泰拉传奇》作为经典史诗的“非神化”倾向。At the end of the stage of savagery, Arabs gradually had started moving from the tribal societies to the age of civilized countries. After the rise of Islam, the story of the cavalier poet Antar, who was known for his bravery and poetry in the Arabian Peninsula in the stage of savagery, had gradually evolved into the epic “Antar, a Bedoueen Romance” through the singing and inheritance of folk oral artists. This paper uses Melliekinsky’s theory of the origin of heroic epic to analyze the origin of the Arab epic “Antar, a Bedoueen Romance” and explore the “non-deification” tendency of “Antar, a Bedoueen Romance” as a classic epic.

关 键 词：昂泰拉传奇 阿拉伯史诗 起源 

分 类 号：I106.2[文学—世界文学]