丁玲抗战时期作品的身体言说  

The Narration of Body in Ding Ling’s Works Created During the Anti-Japanese War

作　　者：陈红玲[1] 龚丽群 CHEN Hongling;GONG Liqun(School of Liberal Arts,Shaoyang University,Shaoyang 422000,China)

机构地区：[1]邵阳学院文学院

出　　处：《邵阳学院学报（社会科学版）》2019年第5期85-93,共9页Journal of Shaoyang University:Social Science Edition

基　　金：教育部规划基金项目“丁玲文学创作中的身体哲学研究”(17YJA751005);湖南省社科基金项目“延安文学中的女性话语研究”(15YBB063)

摘　　要：丁玲在抗日战争时期创作的《我在霞村的时候》《新的信念》《一颗未出膛的子弹》《夜》《在医院中》等作品中,多角度地阐述了身体的个体属性与社会属性的关系。在抗战的特定时代背景下,丁玲作品中的人物身体蕴含了不同的意义,展现了身体与思想灵魂的统一与对立,凸显了不同性别的身体都在以不同的方式彰显着彼时社会形态下身体的国家性与民族性,展示"心"与"国"链接的新形态,以及"抗战"国家叙述与身体言说的冲突。Ding Ling makes a multi-perspective exposition on the relationship between the individual attributes and the social attributes of body in her works created during the Anti-Japanese War,such as When I Was in Xiacun,A New Belief,A Bullet Kept in the Gun,The Night and In the Hospital.Under the specific background of the war,the body of the characters in Ding Ling's works contains a different meaning,presenting the unity and conflict between the body and the soul,highlighting that the body of different genders manifests the nationality of the body in such a special social environment in different ways,and revealing the new form of the link between the heart and the nation,as well as the conflict between national Anti-Japanese War narrative and body narrative.

关 键 词：丁玲 抗战语境 身体言说 

分 类 号：I207.4[文学—中国文学]