论19世纪欧洲浪漫主义艺术歌曲的本质属性与音乐特征  

On the Essential Attribute and Musical Characteristics of European Romantic Art Songs in the 19th Century

作　　者：胡东冶[1,2] 徐敦广[1] HU Dong-ye;XU Dun-guang(College of Music Education, Northeast Normal University, Changchun 130024 , China;College of Music Education,Shenyang 110031, China)

机构地区：[1]东北师范大学音乐学院,吉林长春130024 [2]沈阳音乐学院音乐教育学院,辽宁沈阳110031

出　　处：《东北师大学报（哲学社会科学版）》2019年第6期202-208,共7页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学规划基金项目(13YJA760054)

摘　　要：要了解艺术歌曲,就要先从浪漫主义音乐及舒伯特谈起。19世纪浪漫主义音乐的衍进看似变化多端,有诸多美学观念的革新在发挥作用,但其风格转变中起到决定性作用的则是文学与音乐关系的转变。在这种背景下,艺术歌曲作为浪漫主义音乐的产物,自然和诗乐相容便成为其最本质的核心属性,而这也必然会直接反映在其具象的音乐特征之中。To understand art songs,we should firstly talk about romantic music and Schubert.The development of Romantic music in the 19 th century seems to be changing and many innovations in aesthetic concepts are playing a role,but the change in the relationship of literature and music plays a decisive role in the change of its style.Under this background,as the product of romantic music,the compatibility between nature and poetry becomes the most essential core attribute,inevitably,which will directly reflect in its specific musical characteristics.

关 键 词：浪漫主义 艺术歌曲 自然 诗乐相容 音乐特征 

分 类 号：J609.9[艺术—音乐]