巴山滩歌研究述评  

A Review of Beah Song in Bashan

作　　者：张升浩[1] ZHANG Shenghao(Music School of China-West Normal University, Nanchong Sichuan 637009, China)

机构地区：[1]西华师范大学音乐学院

出　　处：《四川文理学院学报》2019年第5期139-143,共5页Sichuan University of Arts and Science Journal

基　　金：四川省哲学社会科学重点研究基地西南音乐研究中心项目(xnyy2016023)

摘　　要：滩歌伴随巴山水路航运而产生,虽名为歌,实乃以文本为主体,而无具体音乐意义上的旋律,它属于民间口头文学,是巴山本土优秀文化的一部分。巴山滩歌内容丰富,行文规范而有韵律,具有丰富的文学语义和精准的修辞手法。滩歌与巴渠船工号子具有一脉相承的韵味,与巴山背二歌具有共同的人类学背景。滩歌因流传途径和范围的局限而鲜为人知,对其研究,无论从历史学、考古学、民俗学,还是从人类学、文学等角度,均有它的当下意义和价值。Beach song was accompanied by the waterway shipping in Bashan. Although it is called song, but it takes the text as themain body and has no specific melody in the sense of music. It belongs to folk oral literature and is a part of the excellent local culture in Bashan. The song is rich in content, standard and rhythmic with rich literary semantics and precise rhetoric. Beach song come down in one continuous line with and boatman’s song in Baqu and has the same anthropological background with packer’s song in Baqu. Beach song is little known because of the limitation of its way and scope. The study of Beach song has its present significance and value from the perspective of history, archaeology, folklore, anthropology, literature and so on.

关 键 词：巴山 滩歌 历史源流 当下意义 

分 类 号：J607[艺术—音乐]