影像档案编研产品的社会记忆功能浅析——以文献纪录片《燃烧的影像》为例  

Research on the Social Memory Function of Image Archives Compilation Products——Taking the Literature Documentary Images on Fire as an Example

作　　者：庞博[1,2] PANG Bo(China Film Archive/ China Film Art Research Center, Beijing 100082;Communication University of China,Beijing 100024)

机构地区：[1]中国电影资料馆/中国电影艺术研究中心 [2]中国传媒大学

出　　处：《档案学研究》2019年第5期78-82,共5页Archives Science Study

摘　　要：在后现代思潮和马克思主义唯物史观的影响下,以人为本的"全球历史观"与"社会史观"兴起,促使了"档案记忆观"的诞生。作为集体记忆和社会记忆的重要再现形式之一,影像档案的编研也必然是根据当时的社会意识形态、伦理道德、社会价值取向和利益关系等因素进行的有目的、有意识的社会记忆建构行为。本文选取了中国电影资料馆为纪念中国人民抗日战争暨世界反法西斯战争胜利70周年,利用馆藏历史影像档案资料拍摄制作的首部以真实影像全景式记录中华民族抗日战争历史的优秀文献纪录片《燃烧的影像》,试图探讨文献纪录片这一影像档案编研产品的社会记忆属性及其功能。Under the influence of post-modernism and Marxist historical materialism, the rise of“global view of history”and“social historiography”based on the concept of people-oriented have prompted the birth of the“archival memory concept”. As one of the important forms of collective memory and social memory, the compilation of image archives can be a purposive and conscious construction behavior of social memory, which adhere to the social ideology, ethics, social value orientation and interest relations at that time. This article chooses the outstanding literature documentary Images on Fire to explore the social memory attributes and functions of literature documentary as a product of image archives compilation. As the first panoramic documentary about the War of Resistance Against Japan with realistic images, this film, based on the China Film Archive, is made by the archive to commemorate the 70th anniversary of the victories of War of Chinese People’s Resistance Against Japan and the world Anti-Fascist war.

关 键 词：影像档案 社会记忆 文献纪录片 燃烧的影像 

分 类 号：G276[文化科学—档案学]