情欲、命运和破碎的社会学之歌——论《大渡河支流》的主题和人物  

Lust,Destiny and Broken Song of Sociology——On the Theme and Characters of The Tributary of Dadu River Duan Congxue

作　　者：段从学[1] Duan Congxue(Chinese Department,SouthwestJiaotong University,Chengdu 611756,China)

机构地区：[1]西南交通大学中文系

出　　处：《重庆师范大学学报（社会科学版）》2019年第5期35-48,共14页Journal of Chongqing Normal University(Edition of Social Sciences)

基　　金：2016年国家社科基金重大招标项目“抗战大后方文学史料数据库建设研究”(2016ZDA191)

摘　　要：《大渡河支流》不是冯雪峰所说的描写和暗示农村地主阶级及其封建剥削制度必将走向崩溃的社会史诗,而是发生在"五四"个性解放思想框架里的女性命运悲歌,一首抒情史诗。但在具体的写作中,诗人又受到了四十年代中后期的中国社会现实的影响,由此造成了矛盾和分裂,使得长诗成为了一首既有"五四"意义上的自然情欲和女性命运,又混杂了社会学主题的复杂作品。The Tributary of the Dadu River is not what Feng Xuefeng said,depicting and suggesting that the rural landlord class and its feudal exploitation system will surely collapse into a social epic,it's a sad song of women's destiny in the framework of the "May 4th" personality emancipation,a lyrical epic.But in the specific writing,the poet was influenced by the reality of Chinese society in the mid and late 1940s,this caused contradictions and divisions,made the long poem not only have natural lust and female destiny in the sense of "May 4th" but also have socialist themes.

关 键 词：抗战文学 《大渡河支流》 冯雪峰 女性命运 

分 类 号：I22[文学—中国文学]