条条大路皆归途——论黑塞艺术童话中“梦”的表现形式  

Every Road is the Way Home——The Manifestation of “Dream” in Hesse’s Artistic Fairy Tales

作　　者：李晨曦 杨雪 Li Chenxi;Yang Xue(Foreign Languages Institute,Lanzhou University,Lanzhou,Gansu730000)

机构地区：[1]兰州大学外国语学院

出　　处：《语文学刊》2019年第4期111-115,共5页Journal of Language and Literature Studies

基　　金：中央高校基本科研业务费专项资金(17LZUJBWZY075)资助项目

摘　　要：在黑塞的文学创作生涯中,艺术童话可以说是其最富有童真和想象力的作品。他既继承了浪漫主义时期的叙事传统,又将其自身的写作风格融入其中。在童话中借助“梦”的表现形式,黑塞实现了主体与客体,真实与虚幻的转换或融合,并试图用直觉去洞悉事物的本质。精神分析疗法引导下“真实”的“梦”帮助作者寻找自我,走出危机;兼具创造性与艺术性的神奇的“梦”,诣在影射战时的残酷,呼唤和平的到来。In Hermann Hesse’s literary creation career,artistic fairy tales are considered to be his most innocent and imaginative works.In these works,he inherits the narrative tradition of the Romantic period with his own writing style.In the fairy tale with the expression of“dream”,Hesse realizes the transformation and fusion of subject and object,reality and illusion.Meanwhile,he attempts to understand the essence of things through insight.He utilizes the psychoanalytic therapy,in order to find back himself in the“real dreams”in his tales and come out of the crisis.These artistic and creative dreams allude to the brutality of wars and usher in the hope of peace.

关 键 词：黑塞 艺术童话 梦 

分 类 号：I106.4[文学—世界文学]