七十二回的宿命——明清长篇小说虎头蛇尾现象原因浅析  

Foreordination of Part 72——Analysis on the anticlimaxphenomenon of full-length novels in Ming and Qing Dynasties

作　　者：孔庆杰 KONG Qing-jie(Tianjin Xinhua Staff and Workers’University,Tianjin 300070)

机构地区：[1]天津市新华职工大学

出　　处：《天津职业院校联合学报》2019年第8期97-101,共5页Journal of Tianjin Vocational Institutes

摘　　要：中国古典白话文长篇小说普遍存在着虎头蛇尾的现象,大多表现在写到第70至80回之间,故事出现一个比较高潮的段落后,情节急转直下变得乏善可陈,形成“七十二回的宿命”。究其原因不外乎有三:一是作家自身原因造成,特别是作家个人生活经历所带来;二是中国传统大团圆审美习惯所影响;三是文以载道创作观念的必然结果。China’s classic vernacular full-length novels generally have an anticlimaxphenomenon,which is mostly reflected in that,when a climatic paragraph appears in the part 70~part 80,the plots take a sudden return and turn lackluster,forming the“Foreordination of Part 72”.There are three reasons:first,the own reasons of writers,especially their personal life history;second,China’s traditional“happy reunion”aesthetic habit;and third,inevitable result of“words of truth”creation concept.

关 键 词：虎头蛇尾 七十二回的宿命 大团圆审美习惯 文以载道 

分 类 号：I207.41[文学—中国文学]