一曲曲凄怆的女性反抗悲歌——祥林嫂、田小娥与白灵形象分析  

Elegies of Female Rebellion——Analysis of Mrs. Xiang Lin,Tian Xiao-e and Bai Ling’s Image

作　　者：王海峰[1] WANG Hai-feng(Huaibei Vocational&Technical College,Huaibei 235000,China)

机构地区：[1]淮北职业技术学院旅游管理系

出　　处：《哈尔滨学院学报》2019年第9期59-62,共4页Journal of Harbin University

基　　金：安徽省教育厅人文社科重点项目:低碳旅游在皖北旅游发展中的应用与探讨——以淮北地区为例,项目编号:Sk2018A0781

摘　　要：祥林嫂、田小娥与白灵是著名作家鲁迅和陈忠实塑造的被封建宗法势力迫害和吞噬的旧时代妇女的典型形象。她们面对封建礼教的重重压迫,都进行了反抗,但不同的是:祥林嫂的反抗是为了争取做奴隶的地位;田小娥的反抗出自被逼无奈,虽然有了作为人的意识,但方式很原始;只有白灵算得上是真正觉醒、自觉反抗的新女性。她们的反抗如同一曲曲哀婉的悲歌,回荡在历史的天空中,控诉着封建宗法势力的吃人本质和罪恶。Mrs.Xiang Lin,Tian Xiao-e and Bai Ling X are the typical female images in the old age created by famous writers Lu Xun and Chen Zhong-shi.They were persecuted and devoured by the feudal and patriarchal forces.Facing the heavy oppression of feudal ethics,they all revolted.But the difference is:Mrs.Xiang Lin’s revolt is to fight for the status;Tian Xiao-e’s revolt is due to helplessness,though she had her own consciousness,it was very little;only Bai Ling was a truly awakened new woman who had self-conscious to revolt.Their revolt,like a series of elegies,echoed in the sky of history,accusing the feudal and patriarchal forces of cannibalism and evil.

关 键 词：封建宗法势力 礼教 女性 反抗 

分 类 号：I207.425[文学—中国文学]