新文化运动中林纾的绘画及理论  

Paintings of Lin Shu and His Insights into the Art of Painting in the New Culture Movement

作　　者：王少羽[1] 

机构地区：[1]闽江学院美术学院

出　　处：《美术》2019年第9期117-122,共6页Art Magazine

基　　金：福建省教育厅社会科学研究项目《〈中国美术史〉教学研究》(编号:JAS180357)成果之一

摘　　要：20世纪之初,在中国传统绘画内外交困的现实境况下.林纾强调文人画作为中国文化的一部分,是中国人可靠的精神归宿。同时他也看到中国传统绘画自身存在的问题,提出通过平衡“形”、“神”关系实现自我更新。作为画家.林纾兼善多能.尤以山水画见长。他遵循文人画传统.画法严谨、工致,试图以勤恪、细谨来挽救文人画家“写形”之失。At the beginning of the 20th Century,Chinese traditional painting had been plagued by both internal and external troubles.Under this condition,Lin Shu emphasized that the literati painting was a part of Chinese culture and a reliable spiritual homeland for Chinese people.Meanwhile,he also proposed a renewal of Chinese traditional painting by balancing the relationship between"form"and"spirit"after having had realized the problems and difficulties existing in it.As a painter,Lin Shu had acquaintance with various techniques and styles,especially with landscape painting.By following the tradition of literati pain ting,Lins artworks presented not only his rigorous and meticulous treatment of painting but also his intention of altering the taste of literati painters who tended to ignore to depict meticulously the appearanee of things.

关 键 词：林纾 绘画创作 画学思想 新文化运动 

分 类 号：J209[艺术—美术]