纳博科夫小说的存在主题  

The Existential Theme in Nabokov’s Novels

作　　者：邱静娟[1] QIU Jing-juan(College of Foreign Languages,Anhui Normal University,Wuhu Anhui 241002,China)

机构地区：[1]安徽师范大学外国语学院

出　　处：《安徽师范大学学报（社会科学版）》2019年第5期59-63,共5页Journal of Anhui Normal University(Hum.&Soc.Sci.)

基　　金：国家留学基金访问学者项目(201708340031);安徽省教育厅人文社会科学基金重点项目(SK2012A056);上海外语教育出版社委托项目(SK2015A792)

摘　　要：纳博科夫在其小说中对存在的重要问题生存和死亡进行了持续深入的思考。纳博科夫认为,人的生存是独立而自由的,守卫本真、拒绝同一化的弃世是进入“彼岸世界”的契机,无谓自杀却绝不是积极人生的应有之义,而用生命书写人生、坦然无畏地面对死亡则能够进入艺术的永恒之境。存在主题既显示了作家对现实人生的观照,又有对终极问题的思考。纳博科夫对存在命题的思考接续了俄罗斯文学的人文主义传统,同时又成为作家个人的标签,生与死的存在主题最终都与“艺术”的主题相融汇。Nabokov has pondered deeply over survival and death in his novels.Nabokov believes that human existence is independent and free.Guarding authenticity and refusing homogeneous death are the opportunity to enter into“another world”.A meaningless suicide is not the proper manifestation of a positive life,while struggling in all his life and facing death bravely can enter the eternal realm of art.The theme of existence shows writer's observation of reality and thinking of ultimate questions.Nabokov's thought on the existential proposition is a continuation of the humanistic tradition of Russian literature,and meanwhile becomes his own individual label.The existential theme of life and death eventually blend into the theme of art.

关 键 词：纳博科夫 存在主题 俄罗斯文学 人文主义 艺术 

分 类 号：I106[文学—世界文学]