徽州祖荣像传统技艺的保护对策研究  

A study on the Protection Strategies for the Traditional Huizhou Ancestral Portrait Skill

作　　者：丁琴[1] Ding Qin(School of Arts,Huangshan University,Huangshan245041,China)

机构地区：[1]黄山学院艺术学院

出　　处：《黄山学院学报》2019年第4期84-87,共4页Journal of Huangshan University

基　　金：安徽省教育厅人文社会科学重点项目(SK2017A0380);黄山学院专业综合改革校级项目(2016ZZGG01);黄山学院科研平台项目(kypt201816);黄山学院教学团队项目(2017JXTD01)

摘　　要：悬挂祖荣像是徽州地区民间一项重要的民俗祭拜活动。为家里在世的长辈聘请画师绘制容像留作纪念并用于以后祭拜瞻仰,这一民俗始于唐代。随着现代技术的革新,这一门手工绘制的传统技艺渐渐失去市场,也面临着消亡。通过与地方高校的研究团队建立科学的保护措施,形成最有效的保护手段,并加强在世的“活态”技艺载体与具有绘画功底的专业学生之间的联系,培养出一批良好的后继人才,是在保护基础上的更好传承,也是对徽州祖荣像深层次保护的重要方式。From the beginning of the"Laba"Festival to the end of the first month of the year,hang?ing ancestral portrait is an important folk worshipping activity in the Huizhou area.The specific days of suspension in each district and county are different,but they are roughly similar.It started from the Tang Dynasty to hire painters to draw a portrait for the elders alive to be remembered and used for worship.With the innovation of modern technology,the traditional hand-painting skill has gradually lost its market and is facing extinction,which means that this superb traditional skill might not be inherited.By establish?ing scientific protection measures with local university research teams,the most effective means of protec?tion can be achieved.It also strengthens the connection between the"living"art carrier and the students with professional painting skills for the cultivation of talented successor of Huizhou ancestral painting.

关 键 词：徽州祖荣像 传统技艺 保护 对策 

分 类 号：J219[艺术—美术]