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作 者:胡显斌[1] HU Xianbin(Academy of Fine Arts,Jishou University,Zhangjiajie 427000,China)
机构地区:[1]吉首大学美术学院
出 处:《南京邮电大学学报(社会科学版)》2019年第4期76-86,共11页Journal of Nanjing University of Posts and Telecommunications(Social Science Edition)
基 金:国家社科基金项目“汉文学中桃花源形象的塑造与现代建构研究”(17CZW006)
摘 要:桃花源形象的位置叙事研究以位置叙事学为研究方法,将桃花源形象的位置分为自然位置、心理位置、社会位置。其中,自然位置研究是从物理存在的角度展开对桃花源形象的“虚”“实”之辩,叙事主体围绕桃花源的原型地进行实证性争鸣。心理位置研究是从主体需要的角度探索叙事人观照“他者”从而反思“自身”的原因,历代叙事人追寻桃花源的心路历程也是反思自我的思想过程。社会位置研究主要是作为“边地”的桃花源通过理念识别、行为识别、视觉识别等重塑自身形象,从而在工业社会与城市文明语境下重新定位自身的角色与功能。在多元一体的文化背景下,桃花源形象的位置叙事研究需秉承开放性、流动性、共享性特质,这对建构和而不同的文化共同体具有重要意义。From the perspective of narratology on location,this study attempts to categorize the locations of the image of the peach blossom colony into three dimensional concepts as natural,mental and social locations.In terms of natural location,the paper intends to elucidate the relationship between virtual image and physical image of the colony from physical existence with its narrative subject focused on the archetypal location of the colony.Concerning mental location,it explores why narrators examine“the other”so as to introspect about“the self”from the perspective of the subject’s need.The mental journeys of the narrators of all ages in seeking the colony have also been their thought trajectory to introspect about“the self”.Social location mainly studies the fact of reshaping the image of the colony as a borderland by means of conceptual recognition,behavioral recognition and visual recognition,thus exploring new roles and functions of the colony in the context of industrial society and urban civilization.Under the cultural background of diversification and integration,the location narration study of the image of the peach blossom colony needs to feature openness,fluency and sharing,which is crucial for establishing a community with shared culture that seeks harmony without uniformity.
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