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作 者:王慧 WANG Hui(Campus Department,Hebei University,Baoding 071000,China)
机构地区:[1]河北大学校园管理处
出 处:《唐山师范学院学报》2019年第5期47-56,共10页Journal of Tangshan Normal University
摘 要:无论从性别文化现实还是文学角度,女性乡土都是在场的缺席者,这并不是因为创作方面不够突出,而是缘于女性文学自身的发展问题。现代女性乡土叙事在五四时代从关注妇女儿童问题出发到一些乡村题材,创作比较仓促,乡土意识刚刚萌芽;20年代末到抗战前期伴随左翼文学的兴起,形成了女性乡土的第一个创作高峰,乡土意识自觉形成;30年代末到新中国成立前后,沦陷区和解放区的女性乡土创作呈多元化态势,乡土意识逐渐浓厚。From both the reality of gender culture and the modern literature angles,female native literature is an absentee.The most important reason is not the lacking of creative results,but because of the development of female literature itself.Female native literature began from the writing of women’s and children’s problems to the writing of rural theme during the May 4th period.During this period,the creation was rather hasty and the local consciousness had just sprouted.With the rising of left-wing literature,the first peak of female native literature was formed.At the same time,the local consciousness formed from the end of the 1920s to the early period of anti-Japanese War.From the end of the 1930s to the founding of the People’s Republic of China,the female native creations in enemy-occupied areas and liberated areas were diversified,and the local consciousness gradually became strong.
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