从远古到现代体育艺术的形式逻辑与艺术限度考察  

Examination of the formal logic and artistic limitation of sports art from ancient times to modern times

作　　者：杜高山 王欢 韩春利[1] DU Gao-shan;WANG Huan;HAN Chun-li(School of Sports Science,Qufu Normal University,Qufu 273165,China)

机构地区：[1]曲阜师范大学体育科学学院

出　　处：《体育学刊》2019年第5期44-48,共5页Journal of Physical Education

基　　金：国家社会科学基金青年项目(18CTY001),国家社会科学基金一般项目(13BTY010);山东省社会科学规划青年项目(18DTYJ01)

摘　　要：体育艺术关系问题一直是国际体育哲学界关注的焦点话题。研究将体育艺术置于西方历史、艺术哲学、康德美学和现代艺术观念中进行形式逻辑与艺术限度考察,认为从古希腊将体育作为西方艺术的起源,到艺术哲学将体育艺术拒之门外,从康德美学为体育的审美性、艺术性正名,到现代艺术观念转变中的体育艺术复归,人们对于体育艺术关系的认识经历了一个否定之否定过程。研究为丰富发展我国体育艺术理论,促进体育美好生活实现提供参考。The sport and art relationship issue has been a focal topic concerned by international sports philosophy circles.The authors placed sports art into such conceptions as western history,art philosophy,Kant’s aesthetics and modern art to examine its formal logic and artistic limitation,and concluded that from ancient Greece regarding sports as the origin of western art,to art philosophy shutting sports art out,from Kant’s aesthetics justifying sports aesthetic nature and artistic quality,to the return of sports art in the change of modern art conception,people’s understanding of the sport and art relationship went through a process of negation of negation.This research provides beneficial refer-ence for enriching and developing Chinese sports art theories,and promoting wonderful sports life realization.

关 键 词：体育艺术 艺术哲学 康德美学 审美运动 形式逻辑 艺术限度 

分 类 号：G80-05[文化科学—运动人体科学]