乡土文学的新向度:历史大潮下的多视角叙述——鲁迅、琦君的乡土情怀书写与时代印记  

New Dimensions of the Native Literature: Multi-view Narrative in the Tide of History——Time Mark of LuXun’s and QI Jun’s Creations of Nostalgia Complex

作　　者：薛熹祯[1] SUL Heejung(College of Foreign Languages,Peking University,Beijing,China 100871)

机构地区：[1]北京大学外国语学院

出　　处：《温州大学学报（社会科学版）》2019年第4期61-66,共6页Journal of Wenzhou University：Social Science Edition

摘　　要：乡土文学的实践者多是在城市求学或迫于生计的知识分子。他们的创作,描绘了时代大潮下的社会民情,体现了作者对过往的反思和对国民性的自觉探索。此外在当时的台湾,也有一群女性作家,她们笔下的“乡愁情结”在游子思乡的基础上,不仅表达了对普通人,特别是对弱势群体的温暖的人文关怀,更体现了一种女性意识的觉醒,其创作为乡土、乡愁、乡恋引入了新的情感体验,成为记录一个时代的重要组成部分。The practitioners of native literature were mostly intellectuals who pursued their studies in the city or strived to make both ends meet.Their creations depicted the social conditions in the tide of history,and showed their reflection on the past and their conscious exploration of the national character.Meanwhile,there were also a group of female writers at that time in Taiwan,whose creations of“nostalgia complex”,while conveying their homesickness,not only expressed their humanistic concern for the ordinary people,especially the vulnerable groups,but also embodied an awakening of female consciousness.Those creations introduced new emotional experience to the nostalgia,and became an important component of the record of an era.

关 键 词：鲁迅 琦君 乡愁 人文关怀 女性意识 

分 类 号：I206.6[文学—中国文学]