论两宋《满江红》歌词创作的发展历程  

On the Development of the Lyrics Creation of Man Jiang Hong in the Northen and Southern Song Dynasties

作　　者：刘尊明 殷玉纯 LIU Zun-ming;YIN Yu-chun(School of Humanities,Shenzhen University,Shenzhen 518060,China)

机构地区：[1]深圳大学人文学院

出　　处：《徐州工程学院学报（社会科学版）》2019年第5期39-46,共8页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：国家社科基金项目“以词调为中心的唐宋词体与词史研究”(12BZW035)阶段性成果

摘　　要：两宋《满江红》歌词创作经历了北宋、南渡、南宋三个大的发展阶段。北宋是《满江红》创作的初始阶段,虽然只有11人21首作品,却从形体、题材和风格等方面奠定了两宋《满江红》的发展基础;南渡是《满江红》发展的新变时期,在15人21首作品中,岳飞既唱出了慷慨激越的时代最强音,赵鼎、吕本中也各以或纪实或闲适的题材开启了南宋词的发展方向;南宋为《满江红》创作的繁盛时期,两宋共180余人凡551首《满江红》词作绝大多数都产生于南宋,辛弃疾、吴潜、刘克庄、李曾伯等人所作都达30余首、20余首之多,《满江红》的题材、主题、风格和美感也在此期达到了全面拓展与繁荣的高峰。The lyrics creation of Man Jiang Hong in the Song Dynasties experienced three major development stages from the Northern Song Dynasty,the Southward Movement and Southern Song Dynasty.The Northern Song Dynasty was the initial stage of the creation.Although there were only 11 writers and 21 works,it laid the foundation for the development in terms of form,theme and style.The Southward Movement was a new period of the development with 21 works of 15 people,among which,Yue Fei wrote the most powerful works of the era and Zhao Ding and Lu Benzhong also opened the development direction with the theme of documentary or leisure.The Southern Song Dynasty flourished for the creation with more than 180 people with 551 works produced during the period.Xin Qiji,Wu Qian,Liu Kezhuang,Li Zengbo and other poets made more than 20 to 30 pieces per person.Thus,the theme,style and aesthetics of Man Jiang Hong reached the peak of comprehensive expansion and prosperity in this period.

关 键 词：宋代 满江红 歌词创作 发展历程 

分 类 号：I206.2[文学—中国文学]