新中国电影范式的历史转折点——论东北电影制片厂的工业和美学  

The Historical Turning Point of New China Film Paradigm:On Industry and Aesthetics of Northeast Film Studio

作　　者：陈犀禾 陆佳佳 Chen Xihe;Lu Jiajia

机构地区：[1]上海大学上海电影学院

出　　处：《电影艺术》2019年第5期117-124,共8页Film Art

摘　　要：东北电影制片厂作为"新中国电影的摇篮",建立了一种和原来的上海电影经验全然不同的电影工业体系和美学样态。首先区别于传统上海私营电影工业系统,东北电影制片厂建立起了一种以党的领导为核心的国营电影工业体系;同时在美学层面上也异于以往的上海电影传统,率先开启了人民美学的叙事表达。将对东北电影制片厂的研究放置在与上海电影传统的比较视野中,可以更为清晰地把握和确认新中国电影工业和美学的发展与演变轨迹。As the "cradle of New China’s films", Northeast Film Studio has established a completely different film industry system and aesthetic style from the original Shanghai film experience. First of all, unlike the traditional Shanghai private film industry system, Northeast Film Studio has established a state-owned film industry system with the leadership of the Party as its core. At the same time, it is also different from the previous Shanghai film tradition in aesthetic level, taking the lead in opening the narrative expression of people’s aesthetics. The study of Northeast Film Studio is placed in the comparative field of vision with the Shanghai film tradition, which can more clearly grasp and confirm the development and evolution track of the new China film industry and aesthetics.

关 键 词：东北电影制片厂 新工业体系 新美学风格 

分 类 号：J90[艺术—电影电视艺术]