陈美玲诗歌创作的三阶段  

Marilyn Chin’s Poetry: Three Phases

作　　者：刘立平[1] LIU Liping(School of English,Tianjin Foreign Studies University,Tianjin 300204,China)

机构地区：[1]天津外国语大学英语学院

出　　处：《重庆交通大学学报（社会科学版）》2019年第5期68-72,共5页Journal of Chongqing Jiaotong University:Social Sciences Edition

基　　金：国家社会科学基金项目“当代华裔美国文学叙事学研究”(13CWW028)

摘　　要：从女性主义出发,综合考虑族裔和身份的因素,陈美玲的写作经历了三个不同的阶段:第一阶段试图通过“自我遮蔽”融入白人文学的“伟大传统”,但是在创作过程中却无法摆脱文化的乡愁;第二阶段开始关注自我身份和自我解放,努力为华裔女性争取权益;第三阶段自由地运用各种文学模式和手段,不局限于一种美学,最终达到各种传统与文化的融合。Marilyn Chin s writing goes through three phases from the perspective of feminism,ethnicity and identity.In the first phase,she wanted to blend in“the great tradition”of white literature through“self-veiling”,but she couldn t escape the cultural nostalgia;in the second phase,she paid attention to self-identity and self liberation and tried to fight for female Chinese-Americans;in the third period,she intends to use a range of modes and technique of literature without confining to only one aesthetic.The ultimate goal is to unite different traditions and cultures.

关 键 词：自我遮蔽 文化传统 融合 

分 类 号：I2017.25[文学—中国文学]