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作 者:刘笑岩[1] LIU Xiao-yan(Music Department,China West Normal University,Nanchong 637009,China)
机构地区:[1]西华师范大学音乐学院
出 处:《太原师范学院学报(社会科学版)》2019年第4期22-26,共5页Journal of Taiyuan Normal University:Social Science Edition
基 金:四川省教育厅2015年科研项目:“艺术人类学视野下的魏晋南北朝乐府诗歌研究”(15SB0093)
摘 要:蒙元灭南宋打破了南北分立局面,为南北戏曲交融创造了条件。北方文化随大量南迁北人传播到南方,大运河改道带来了交通便利,印刷技术进步产生了大量精美戏曲唱本,元代多元一体文化格局下民族认同感增强,这些因素对南北方戏曲交融有极大的促进作用,戏曲融合进程由此开启,元代戏曲繁荣的时代到来了。The conquest of the Yuan Dynasty established by Mongolians over the Southern Song Dynasty ended the separation of the north and the south,providing chances for the fusion of southern and northern Operas.Then northern culture spread to the south along with a large number of northerners’moving to the south;the diversion of the Grand Canal brought convenience to transportation;the progress of printing technology produced a large number of exquisite opera books.Under the multi-cultural pattern of the Yuan Dynasty,the sense of national identity was enhanced.All of the factors played a great role in facilitating the fusion of southern and Northern operas.Thus the process of opera integration began and the era of opera prosperity in Yuan Dynasty came.
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