元杂剧中八仙戏的空间叙事及其文化意蕴——以马致远《黄粱梦》为例  

The Spatial Narration and Its Cultural Implication of Baxian Plays in Zaju of Yuan Dynasty——Taking Ma Zhiyuan’s Dream of the Yellow Sorghum as an example

作　　者：侯军利 HOU Jun-li(School of Libera Arts,Shaanxi Sci-Tech University,Hanzhong 723000,China)

机构地区：[1]陕西理工大学文学院

出　　处：《西安建筑科技大学学报（社会科学版）》2019年第5期96-100,共5页Journal of Xi'an University of Architecture & Technology(Social Science Edition)

摘　　要：元代神仙道化剧中含有大量的八仙戏,体现出文人和百姓对以八仙为题材的杂剧的喜爱之深。《邯郸道省悟黄粱梦》(以下简称《黄梁梦》)是马致远等人合创的元杂剧,讲述钟离权度化吕洞宾得道成仙的故事,其中涉及到无限的地理空间和想象空间。以《黄粱梦》为主从八仙度人所涉及到的空间叙事理论来进行研究,从而窥探出以《黄粱梦》为主的的元代八仙戏剧在空间建构下的八仙故事及其文化意蕴。There are a large number of Baxian(Eight Immortals)plays in the immortal Taoist drama in Yuan Dynasty,reflecting the deep love of literati and people for the dramas with the theme of Eight Immortals.Dream of the Yellow Sorghum created by Ma Zhiyuan and others,is a kind of Zaju of Yuan Dynasty.Though it is a story of Lu Dongbin,who has achieved divinity after meeting with Zhongli Quan,one of the eight immortals,the play involves unlimited space and imagination.The paper studies the spatial narrative theory in Dream of the Yellow Sorghum about Eight Immortals’enlightenment,and then explores the cultural implication in the story of eight Immortals under the spatial construction of Baxian plays in the Yuan Dynasty.

关 键 词：元杂剧 八仙戏 《黄粱梦》 空间叙事 文化意蕴 

分 类 号：I207.37[文学—中国文学]