自由与态度——改革开放40年中国现代舞空间舞台与时间结构之管窥  

Freedom and the Attitude toward it: A Glimpse of the Evolution of Stage-space and its Time Structure of China’s Modern Dance during China’s 40 years of Reform and Opening up

作　　者：孙晓芳 SUN Xiao-fang(Department of Dance,Shenyang Conservatory of Music,Shenyang,Liaoning 11000)

机构地区：[1]沈阳音乐学院舞蹈学院

出　　处：《艺术百家》2019年第4期118-122,共5页Hundred Schools In Arts

摘　　要：兴起于20世纪西方的现代舞逐渐走入国人视野,从崛起复兴到成长壮大,最后以全新的面貌展现其魅力.本文运用历史学、文献学等研究方法,力图在详实的历史资料基础上梳理出我国改革开放以来,中国现代舞发展的大致历程,勾勒出近四十年来现代舞发展的真实面貌.将现代舞空间舞台与时间结构进行拼接,对当下中国现代舞发展中的问题进行反思分析,理清思路,提出问题,解决问题,客观理性看待飞速发展的现代舞艺术在“前行”中存在的种种“隐患”.力图在曲折、缓慢的探索中完善21世纪现代舞多元发展的新格局.The Modern-dance which originated from the West in the 20th century gradually revived,and finally demonstrated to the Chinese people its charm with a new look.Modern dance allows us to see not only the modernist art itself,but also the spiritual enlightenment of life.This paper utilizes research methods such as historiography and philology,to clarify the general history of the development of modern Chinese dance since the reform and opening up on the basis of detailed historical data,and outline the true face of modern dance development in the past forty years.This paper will also tackle with the stitching of the space stage and time structure of modern dance,in order to reflect,analyze and eventually to solve the problems in the development of modern dance in China.Another aspect of this paper is to solidify an objective and rational view on the rapid development of modern dance art that exists on its way forward,trying to perfect the new pattern of diversified modern dance during its development may be based on a tortuous and slow exploration in the 21st century.

关 键 词：舞蹈艺术 自由与态度 现代舞 空间舞台 时间结构 

分 类 号：J70[艺术—舞蹈]