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作 者:童芸[1] TONG Yun(School of Fine Arts,Nanjing Normal University,Nanjing,Jiangsu 210046)
机构地区:[1]南京师范大学美术学院
出 处:《艺术百家》2019年第4期177-183,共7页Hundred Schools In Arts
摘 要:公共空间作为人类社会化发展的产物,一度经历了漫长的自下而上的隐性进化过程.19世纪的工业革命之后,这种模式才被彻底扭转.职业设计师的介入,将其中有关审美、功能、感性的情感因素加以分解与量化,成为一种自上而下的对现代主义所引起的文化断裂、情感缺失进行补救的手段.然而在现代主义后期,这种片面而专断的介入方式引发的矛盾日益凸显,急切的返璞愿望催生出“非规划”的口号.以这一概念为出发点,文章试图探讨在科技快速发展的时代语境中,“非规划”理念中的综合与多价品质如何通过对主体性与主体交互性的关注来满足公共领域的本质诉求,并以此总结它在持续激发公共空间活力方面的价值所在.As the product of human social development,public space experienced a long evolution process hidden from the bottom up.Only after the industrial revolution of the nineteenth Century,this pattern was reversed.Professional designer decompose and quantize its into the aesthetic,function,emotional factors,it become a top-down means which could remedy the cultural discontinuity and the lack of emotion caused by modernism.However,in the post modernism,The contradiction caused by this kind of one-sided and arbitrary intervention is becoming more and more prominent,the eager desire to return to the future gives birth to the slogan of"non-planning".Take this as a starting point,In the context of the rapid development of science and technology,the paper attempts to explore the comprehensive and multivalent quality of the concept of"non-planning",and explains how it tries to satisfy the essential demands of the public domain by paying attention to the subjectivity and the interactivity of the subject.And sum up its value in continuing to stimulate the vitality of public space.
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