海派玉雕形成的条件和环境  

Condition and Environment for Formation of Shanghai-style Jade Carving

作　　者：陈逸敏 

机构地区：[1]不详

出　　处：《上海工艺美术》2019年第3期80-82,共3页Shanghai Arts & Crafts

摘　　要：当今是有玉雕历史记载以来最好的时期,这是不容置疑的事实。无论从传统的收藏行为,还是丰富的消费、投资和经营形态,都呈现出了火红多样的市场。这首先归功于本世纪初"海派玉雕"的形成、发展和成熟过程,尤其是上世纪70年代以来的近五十年时间,无任从用料、题材、工艺和审美上,海派玉雕传承着优秀的玉雕文化和工艺程式,创新着现代的玉雕题材和审美内涵,引领着当代玉雕的形成、发展和创新的趋势,使得优秀的传统玉文化有了新的接力、开拓和光大的可能性。Over the nearly five decades since the 1970s,Shanghaistyle Jade Carving inherits the excellent jade carving culture and craft pattern,innovates the modern jade carving themes and aesthetic connotations,and takes the lead in formation,development and innovation trends of the contemporary jade carvings in terms of raw material,theme,craft and aesthetics.As a result,the excellent traditional jade culture has the possibility of inheritance,expansion and invigoration in a novel style.

关 键 词：经营形态 玉雕文化 审美内涵 收藏行为 当代玉雕 海派玉雕 

分 类 号：J31[艺术—美术]