陶瓷花器设计中的造型共生逻辑——盛栽品种与花器形态的设计统一  

Modeling Symbiosis Logic in Ceramic Flower Ware Design——The Design Unification of the Plant Varieties and Ceramic Flower Ware

作　　者：骆亚男 LUO Yanan(Guilin Normal College,Guilin 541000,China)

机构地区：[1]桂林师范高等专科学校

出　　处：《中国陶瓷》2019年第11期97-104,共8页China Ceramics

基　　金：桂北传统视觉元素在图形设计课程中的拓展教学与改革实践（JGA201608）;桂林古代城建遗存陶瓷文化调查与美学研究（XJKY201406）

摘　　要：论述和探讨我们通常熟悉的陶瓷花器,花器从设计构思阶段开始就并非是一个简单的延续传统风格并拓展当代性形式设计逻辑,实际上,陶瓷花器设计的形成除了对传统容器形制(线条、形体、体量等形式本身要素)的延续和创新外,还有一个重要的考量要素,就是花器最终盛放的内容。盛放内容实际上自始至终是形成花器设计的重要因素,甚至影响了花器设计的最终发展与走向。The core issue of this paper is to discuss the design of ceramic flower ware, which we are usually familiar with. From the design conception stage, it is not a simple continuation of traditional style and expansion of contemporary formal design logic. In fact, besides the continuation and innovation of traditional vessel shape and system(line, shape, volume), we should pay attention to another important element in the formation of ceramic flower ware design-the real content of ceramic flower ware. In fact, the content of of ceramic flower ware is an important factor in the formation of flower design, and even affects the final development and trend of ceramic flower ware design.

关 键 词：陶瓷花器 造型共生逻辑 黄金比例 植物品种 器形设计 

分 类 号：J502[艺术—艺术设计]