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作 者:罗洁[1] 徐秋玲 Luo Jie;Xu Qiuling(School of Fine Arts&Design,Guangzhou University,Guangzhou 510006,China)
机构地区:[1]广州大学美术与设计学院
出 处:《艺术与设计(理论版)》2019年第10期96-98,共3页Art and Design
基 金:教育部人文社会科学研究一般项目工程科技人才培养研究专项支持,项目编号:17JDGC021;广州市属高校科研项目支持,项目编号:1201630279;广东省省级科技计划项目支持,项目编号:2015A020219014;广东省高校学科建设专项资金资助项目支持,项目编号:2013WYXM0094
摘 要:成衣和创意服装的关系是相辅相成,成衣是创意服装的基础与归属,创意服装是成衣的设计灵魂与源泉,它们最终目的都是为人们服务。成衣市场追求的是效益,企业能否抓住市场,就看成衣设计是否符合消费群的需求,因此成衣设计是关键,创意服装的设计演变在成衣设计中发挥着重要作用,其演变的方法对成衣设计效率有重要的意义。文章对成衣和创意服装的特点与关系进行了分析,对创意服装的设计演变方法进行了探究,为创意服装与成衣化之间的相互转化提供了更多可能。Ready-made garment is complementary to creative clothing. Ready-made garment is the foundation of creative clothing as well as its final end. Creative clothing is the soul and inspiration for the design of readymade garment. Eventually, both of them aim to serve people. The pursuit for the market of ready-made garment is profit. Whether a business can seize the market depends on how the design of ready-made garment meets the demand of consumers. Design, therefore, is the key. The design evolvement of creative clothing plays an important role in the design of ready-made garment, and its way of evolving exerts great importance on the design efficiency of ready-made garment. This essay intends to make an analysis on the features and relationships between ready-made garment and creative clothing, and to explore how the design of creative clothing has evolved, with an aim to provide more possibilities for the role of conversion between the two.
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