汉儒经学、纬学诗论述要  

Reviews of Poetics of Confucian Classics and Divination Studies in Han Dynasty

作　　者：钱志熙[1] QIAN Zhi-xi(Department of Chinese Language and Literature,Peking University,Beijing 100871,China)

机构地区：[1]北京大学中文系

出　　处：《兰州大学学报（社会科学版）》2019年第5期123-131,共9页Journal of Lanzhou University（Social Sciences）

摘　　要：汉儒诗学源于春秋诸子诗学,主要是围绕着《诗经》经典化解读而展开。四家诗在诗学上具有同源的关系。毛诗之外,齐、鲁、韩三家诗中,鲁诗之传承,最为渊源有自,流行并取重于世似乎也早于齐、韩两家。三家诗齐诗近玄,鲁诗与韩诗近史。齐诗与毛诗都以性情论诗,但宗旨不同。四家诗都以言志为基本宗旨,以分别美刺为基本的说诗方法,对于具体诗篇的美刺,看法上有同有异。Stemming from poetics of scholars in the Spring and Autumn Period,Confucian’s poetics in Han Dynasty mainly focus on classical interpretation of The Book of Songs.The poems of the Four Schools in this period share the same origin in poetics.In addition to Mao School poems,Lu School poems are the most well-documented in its inheritance compared with the poems of Qi and Han schools,and seemed to be more popular and valued earlier than the other two.Qi School poems tend to be metaphysical,while poems of Lu and Han schools are closer to poetics.Both Qi and Mao schools emphasize temperament in comments,but with different purposes.With Praise and Satire as basic commentary methods,the Four Schools all aimed at expressing aspirations,despite some differences in appreciation of specific poems.

关 键 词：《诗经》 汉儒诗学 四家诗 言志 美刺 

分 类 号：I206.2[文学—中国文学]