析“油画山水”中的审美价值取向  

An Analysis of Aesthetic Value Orientation in the "Oil Painting Landscape"

作　　者：周旭 Zhou Xu

机构地区：[1]四川民族学院美术学院

出　　处：《四川民族学院学报》2019年第5期99-103,共5页Journal of Sichuan Minzu College

基　　金：四川省教育厅省级课题——“油画山水的民族审美取向研究”成果，项目编号:17SB0359

摘　　要：早在20世纪初,中国美术就开始了各种油画民族化的研究,特别是在二、三十年代,中国留学生大量归国的历史条件下,中国绘画艺术在发展方向上,自觉地进行了中西文化的融合。“油画山水”就是在中西绘画交流融合的时代背景下诞生的一种新兴绘画形式,是西方风景油画本土化的标志性产物,具有独立的精神内涵与独特的表现形式。文章从西方风景油画与中国传统山水融合现象入手,通过对“油画山水”发展脉络的梳理,以及对当代“油画山水”代表画家表现特征的分析,认为“油画山水”继承和发扬了传统审美观,是以写意为主要表达方式,以传统山水审美为价值取向,具有中国风格与民族精神的绘画形式。At the beginning of the 20th century,Chinese art began to study the nationalization of various oil paintings.In particular,in the 1920s and 1930s,under the historical conditions of a large number of Chinese overseas students returning to China,the development direction of Chinese Painting Art consciously carried out the integration of Chinese and Western culture."Oil painting landscape"is a new form of painting born under the background of the communication and integration of Chinese and Western painting.It is a symbol product of the localization of Western landscape painting,with independent spiritual connotation and unique form of expression.This paper starts with the fusion of Western landscape oil painting and Chinese traditional landscape painting,and through the analysis of the development of"oil painting landscape"and the expressive characteristics of contemporary"oil painting landscape"representative painters,inheriting and carrying forward the traditional aesthetic,"Oil painting landscape"is a painting with Chinese Style and national spirit,with freehand brushwork as the main expression and traditional landscape aesthetics as the value orientation.

关 键 词：油画山水 审美意境 民族化 写意性 

分 类 号：J213[艺术—美术]