改编政治中的记忆与历史:重访《黑暗》中的印巴分治  

Memory and History in the Politics of Adaptation: Revisiting the Partition between India and Pakistan in the TV Series Tamas

作　　者：兰詹尼·马宗达 刘宇清[1] Ranjani Mazumdar;LIU Yu-qing(Independent Filmmaker,India;School of Liberal Arts,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学文学院

出　　处：《上海大学学报（社会科学版）》2019年第6期26-40,共15页Journal of Shanghai University(Social Sciences Edition)

摘　　要：电视是一种生产记忆的科技或者工艺,不断地在记忆的再现和事件的经验之间制造矛盾,给观众带来集体见证历史事件的机会。根据小说《黑暗》改编的电视剧,勾起人们对印巴分治前后的黑暗记忆,形成一个熔合了整个民族的政治与记忆的公共媒体事件。结合公众对电视剧的反应,深入理解小说改编的文化策略。Television became the technology for the production of memory,creating in its wake a tension between the representation of memory and the experience of the event,which allowed spectators the chance to experience a collective witnessing of a past event.Television series Tamas based on a novel of the same name,triggering the memory of a dark period before and after the Partition,was a public media event that fused the politics of nation and memory.The paper seeks to understand the cultural politics of adaptation in the context of public response to the television series.

关 键 词：印巴分治 文学形式 电视改编 历史记忆 大众论争 

分 类 号：J912[艺术—电影电视艺术]