女性视点、学术经验与海外华侨华人纪录电影——《金门银光梦》《古巴花旦》导演魏时煜访谈  

Female Perspective, Academic Experiences, and Overseas Chinese Documentaries: An Interview with Wei Shiyu, Director of Golden Gate Girls and Havana Divas

作　　者：蒋励 魏时煜[2] JIANG Li;WEI Shiyu

机构地区：[1]暨南大学艺术学院影视系 [2]香港城市大学创意媒体学院

出　　处：《暨南学报（哲学社会科学版）》2019年第10期51-61,共11页Jinan Journal(Philosophy and Social Sciences)

摘　　要：导演魏时煜近年来两部备受瞩目的纪录电影作品《金门银光梦》《古巴花旦》皆表现出对海外华侨华人女性历史的持续关注,其中所闪现的女性视点和女性主义学理沉淀得益于她多年来踏实的学术积累和澄澈的女性自觉,亦与导演自身的海外经验及其跨文化视野产生共鸣。本文是作者与魏时煜导演的一次面对面访谈实录,围绕其创作实践和学术经验展开探讨,试揭示其在历史文献型纪录电影的创作中从理论到方法的探索历程,映现这位不拘一格、勇于创新的当代女性导演的创作观念和思想脉络。This interview gives a picture of a contemporary female film-maker Wei Shi Yu,who strives to innovation and ideological profundity.Golden Gate Girls and Havana Divas,the two recent works of Wei Shi Yu,are outstanding documentary features which show continuing concern about the history of overseas Chinese and ethnic Chinese,as well as Feminine Fortune of Chinese diaspora.The Feminine Perspective and the sedimentary feminism thoughts of theory that involved in the films benefit from the author’s steady academic accumulation and her clear female consciousness.These quality also identify with the filmmaker’s family history of Overseas Chinese and the cross-cultural experience she had.This interview with director Wei Shi Yu focus on her creative practice and academic experience,intends to take an insights into her exploration on bibliographic historical documentary film-making,from theory to methodology.

关 键 词：华侨华人 纪录电影 魏时煜 女性主义 

分 类 号：J90[艺术—电影电视艺术]