五四启蒙文学与民族文化传统  

The May 4th Enlightenment Literature and the National Cultural Tradition

作　　者：姜丽清 JIANG Liqing(College of Journalism and Communication,Jilin Normal University,Changchun,Jilin 130000,China)

机构地区：[1]吉林师范大学新闻与传播学院

出　　处：《吉林师范大学学报（人文社会科学版）》2019年第6期93-98,共6页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：吉林省社会科学基金项目“启蒙烛照下的现代东北女作家”(编号:2016BS54)

摘　　要：五四启蒙文学以激烈的反传统姿态登上历史舞台,有研究者将五四时期定义为"全面反传统"时期,认为五四启蒙文学与传统文化是"断裂的"。事实上,五四启蒙文学确实是以西方价值为参照系对民族文化传统进行了激烈批判,但批判背后的道德本体主义下的忧国忧民的承担,却是对民族文化传统的继承,并在此基础上实现了对传统文化某种程度上的超越。The May 4th Literature appeared in history with its anti-tradition. Some researchers defined the May 4th period as a period of"comprehensive anti-tradition", believing that the May 4th Literature has nothing to do with the traditional culture. As a matter of fact, the May 4th Enlightenment Literature did make a fierce criticism of the national cultural tradition with the reference of Western values. However, the worrying about the country and the people under the moral ontology behind the criticism was the inheritance of the national cultural tradition, and on this basis, it realized the transcendence of the traditional culture to some extent.

关 键 词：五四启蒙文学 民族文化传统 道德本体主义 群体主义 道德向度 

分 类 号：I207[文学—中国文学]