版画进入主题性创作的艺术空间  

Prints in the Field of Thematic Creation

作　　者：代大权[1,2] 

机构地区：[1]清华大学美术学院 [2]中国美协版画艺委会

出　　处：《美术》2019年第11期32-33,共2页Art Magazine

摘　　要：本文以中华文明历史题材美术创作工程中的版画作品为着眼点,对近年来主题性版画创作的发展与成就进行了分析与评价.笔者认为,社会性、大众性和现实性三位一体又各执其责,从内涵、价值和角度三个维度构架了中国现代版画的生命张力,也让获得了新的资源和动能的中国版画明确了表现与发展的主题观.Based on the prints in the art project on the theme of Chinese history and civilization,this paper analyzes and evaluates the development and achievements of thematic prints in recent years.The author believes that sociality,popularity and factuality are three in one,but also each takes its own respective responsibility.From three different dimensions,they give vitality to Chinese modern prints,and as a consequence,Chinese prints equipped with new resources and active energy have specified the themed concept of expression and development.

关 键 词：当代版画 主题性 社会性 大众性 现实性 

分 类 号：J205[艺术—美术]