中国古代主题性绘画的叙事表达  

The Narrative Expressions of Thematic Paintings in Ancient China

作　　者：李永强 

机构地区：[1]中国美协美术理论委员会 [2]广西艺术学院

出　　处：《美术》2019年第11期111-114,共4页Art Magazine

摘　　要：中国古代主题性绘画伴随着中国画的产生而出现,主题性绘画创作在中国画发展的历史长河中从未间断.虽然古代主题性绘画担负着“成教化、助人伦”的政治教化功能,但其艺术风格、艺术语言与艺术家的其他作品是一致的,呈现出较高的艺术性.古代主题性绘画的叙事表达方式与当代作品有所不同,主要集中在四个方面:其一是跨时空的表达;其二是舒缓简洁的诗意布局;其三是运用写实的艺术语言传达写意的绘画精神;其四是象征性的寓意.通过对古代主题性绘画叙事表达的梳理,以期望给予当代中国画主题性创作若干启发与思考.Thematic paintings appeared with the emergence of Chinese painting in ancient China,the creation of which has never stopped in the long history of Chinese painting.Though ancient thematic paintings served the purpose of political education by “establishing ideology,and promoting ethics”,they are consistent with other works of artists in terms of artistic styles and expressions,showing high artistic quality.Different from that of contemporary works,the narrative of ancient thematic paintings is mainly embodied in four aspects,namely expressions across time and space,soothing and concise poetic layouts,application of realistic artistic expressions to convey the abstract spirit of painting,and symbolic and allegorical meanings.An analysis was conducted on the narrative of ancient thematic paintings,in the hope of providing some inspiration and reflections for the thematic creation of contemporary Chinese paintings.

关 键 词：古代主题性绘画 叙事表达 跨时空 象征性 

分 类 号：J209[艺术—美术]