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作 者:刘俐俐[1] Liu Lili
机构地区:[1]南开大学文学院
出 处:《中国文学批评》2019年第4期94-101,159,160,共10页Chinese Journal of Literary Criticism
基 金:2015年教育部哲学社会科学研究重大课题“文艺评论价值体系的理论建设与实践研究”(15JZD039)中期成果
摘 要:通过追溯小小说文体从发生到发展的过程,梳理世界范围内为小小说及其相似文体命名的学术史,可以看出小小说文体发生的必然性。我国始自先秦的语词“小说”在性质与功能上的互相界定,对建构小小说理论有所启发,在此基础上,可以选取由价值论回溯认识论直至本体论的立场,以确立处于活动状态的小小说文体建设与批评的基本原则和理路,以“移用”、“通变”等文学观念渗透于文体探究,从而从价值需求和主体角度看待文体的流变。By tracing back the process of the occurrence and development of the style of mininovel and investigating through the academic history of naming the style of mininovel and other similar styles all over the world,we can discover the inevitability of the occurrence of the mininovel style.The mutual definition of the word "xiaoshuo" from the pre-Qin Dynasty Period in terms of its nature and function enlightened the construction of the theory of mininovel.On this basis,we can choose the standpoint that tracing back to epistemology from axiology and going to ontology in the end,in order to establish the basic principles and logic of stylistic construction and criticism of mininovel in the active state,and permeate stylistic inquiry with literary concepts such as "transfer" and "change," so as to view stylistic change from the perspective of value needs and subject.
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