道教的符篆和水纹图形在服装中的创意运用  

Creative Usages of Taoist Symbols and Water Patterns in Clothing

作　　者：边晓芳[1] 占程怡 Bian Xiao-fang;Zhan Cheng-yi(School of Art,Jiangxi University of Technology,Nanchang,Jiang Xi,330098)

机构地区：[1]江西科技学院艺术学院

出　　处：《湖南包装》2019年第5期37-40,共4页

基　　金：江西省文化艺术科学规划项目课题成果（编号：YG2016348B）

摘　　要：道教是中国最纯正的土生土长的宗教派别,符篆和水纹是道教文化中具有代表性的图形,文章根据符篆和水纹图形的意义和文化内涵,通过分析与设计研究,采取变形和重组应用的方法找出道教传统图形如何运用在现代女装中的关键点,设计出符合现代服装审美的图案,探讨传统的道教图形与现代服装相结合,体现两者综合的时尚,创造独特风格的服装,进而将道教文化体现得淋漓尽致。Taoism is the most pure indigenous religious sect in China.Taoist Symbols(Fulu)and water patterns are representative figures in Taoist culture.According to the meaning and cultural connotation of Taoist Symbols and water pattern,through analysis and design research,Take the method of deformation and recombination application to find out how the traditional Taoist graphics are used in the modern women's clothing,design a pattern that conforms to the aesthetics of modern clothing,explore the combination of traditional Taoist graphics and modern clothing,and embody the integrated fashion and creation,then create the unique style of clothing to reflects the Taoist culture.

关 键 词：道教文化 符篆和水纹 现代服装 设计运用 

分 类 号：B95[哲学宗教—宗教学]