奥尔加农·经文歌·新艺术:中世纪复调音乐新观察  

Organum, Motet and Ars Nova: A New View on Medieval Polyphonic Music

作　　者：何宽钊[1,2] Kuanzhao He

机构地区：[1]中央音乐学院 [2]中央音乐学院人文学部

出　　处：《星海音乐学院学报》2019年第4期49-65,共17页Journal of Xinghai Conservatory of Music

摘　　要：本着历史主义的态度,我们既能深刻认识到中世纪宗教对文化的限制和禁锢,也能发现中世纪在基督教文化上所达到的高度。西方复调音乐诞生在教堂中,它是在圣咏北传的过程中,北方蛮族文化与罗马宗教文化权力冲突与调和的产物,也是信仰、习俗、理性三重要素整合的产物。13世纪,北方地区的本土世俗力量不断获胜,哥特形式意志达到巅峰,经文歌是哥特精神在音乐上的体现。新艺术时期开始形成初步的对位思维,现代意义上的作曲意识和形式主义悄然萌发。With the view of historicism,we can have an understanding of both the restrain of medieval religion to the culture and how Christianity culture itself reached a summit in medieval era.Western polyphonic music was born in the church.It is the product of power conflict and reconciliation between the northern barbarian culture and Roman religious culture as well as the combination of three elements of faith,custom and rationality as the chants spread northward.In the 13th century,the local secular force became overwhelming in the northern area and the Gothic volition reached a dominant status.The motet is the embodiment of Gothic spirit in music.The idea of counterpoint was initiated in the Ars Nova period and it sowed the seed of the sense of composition and formalism in the modern view.

关 键 词：历史主义 奥尔加农 信仰、习俗、理性三重要素 经文歌 哥特形式意志 新艺术 形式主义 

分 类 号：J609[艺术—音乐]