中国左翼电影的成长范式与价值重估  

Growth Paradigm and Value Revaluation of Chinese Left-wing Films

作　　者：王纯菲[1] 高桐 Wang Chunfei;Gao Tong(College of Liberal Arts,Liaoning University,Shenyang Liaoning 110036)

机构地区：[1]辽宁大学文学院

出　　处：《沈阳师范大学学报（社会科学版）》2019年第6期128-134,共7页Journal of Shenyang Normal University(Social Science Edition)

基　　金：辽宁省社会科学规划基金重点项目（L16AZW001）

摘　　要：20世纪30年代,左翼电影创造了中国电影史上的第一次辉煌。左翼电影的成功,是现实主义电影实践的成功。在民族救亡的历史语境中,电影选择现实主义,并创造性地将马克思主义经典现实主义应用于体现中国革命情形的电影实践,向世界电影史呈现了早于意大利新现实主义10年的中国电影现实主义成就。左翼现实主义电影虽然存在着重政治功利轻艺术表现、重历史公共意识轻个体审美意志展示等局限,但其表现的对于中华民族救亡历史责任的担当、对现实生活与劳苦大众的关注,以及它取得的文艺理论对于文艺实践有效导入、经典现实主义创作理论的实践应用等经验,对当下中国的文学与文化建设仍具有重要的借鉴意义。In the 1930s,left-wing films created the first glory in Chinese film history.The success of left-wing films is the success of realistic film practice.In the historical context of national salvation,the film chooses realism and creatively applies Marxist classical realism to the film practice that reflects the Chinese revolution,presenting the world film history with the achievement of Chinese film realism 10 years earlier than Italian new realism.Left-wing realism movie artistic performance despite the focus on political utilitarian light,heavy historical public consciousness light limitations,such as individual aesthetic will show its performance for the Chinese nation to fulfill the history of the national responsibility,the attention to real life and the toiling masses,and its literary theory for literary practice effective import and application of the theory of classical realism creation practice experience,to the present construction of Chinese literature and culture still has an important significance.

关 键 词：左翼电影 现实主义 马克思主义 历史价值 

分 类 号：J905[艺术—电影电视艺术]