抗战后期解放区英模类报告文学的对比模式与意义  被引量:1

On the Contrast Pattern and Meaning of the Reportages Depicting Heroes and Models in the Liberated Areas in the Later Stage of the War of Resistance Against Japan

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作  者:秦林芳[1] QIN Linfang(School of Literature,Nanjing Xiaozhuang University,Nanjing,Jiangsu 211171)

机构地区:[1]南京晓庄学院文学院

出  处:《中国文学研究》2019年第4期137-142,共6页Research of Chinese Literature

基  金:国家社会科学基金重点项目“解放区前后期文学的关联性研究”(18AZW019)

摘  要:抗战后期解放区英模类报告文学在描写英模人物时较为普遍地使用了对比手法。它们通过书写主人公的复杂历程,使主人公在新旧两个社会和解放区与国统区两个不同区域的境遇形成鲜明对比。它们以此形象地说明了解放区是"领导中国前进"的力量,同时,又暴露了国统区之"落后倒退"的性质。这突出地反映了作者们的意识形态的追求,从一个方面凸现了解放区后期文学功利性价值观的"阶级性"内涵。这一对比模式是在解放区后期"阶级的功利主义"思潮中产生的,同时,它也成了这一思潮的重要载体和标本。The reportages depicting heroes and models in the liberated areas in the later stage of the War of Resistance Against Japan more generally use the means of contrast. By writing the complex course of the protagonist,they form a sharp contrast in the protagonist’s situation in the two different regions of the old and new societies and the liberated areas and the Kuomintang-governed areas. The reportages vividly show that the liberated areas are the strength in "leading China forwardly", but expose the nature of"backwardness and retrogression"dominated by the Kuomintang-governed areas at same time. It reflects conspicuously the pursuits of the writers in ideology,and stresses the connotation of "class nature"in later stage of the literature in the liberated areas from one respect. The contrast pattern emerges in the ideological trend of"class utilitarianism",and becomes an important carrier and sample of it.

关 键 词:解放区英模类报告文学 对比模式 纵向对比 横向对比 意义 

分 类 号:I25[文学—中国文学]

 

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