董其昌书画鉴考三题  

On The Identification of Dong Qichang’s Masterpieces in Three Aspects

作　　者：肖燕翼[1] Xiao Yanyi

机构地区：[1]故宫博物院书画部

出　　处：《故宫博物院院刊》2019年第11期4-28,109,共26页Palace Museum Journal

摘　　要：故宫博物院、上海博物馆近来相继推出“清初四王绘画特展”、“董其昌书画艺术特展”,作者认为,展出的“四王绘画”和“董其昌书画”中,仍有被认定为“真迹”的赝品混迹其间,成为相关研究的重要课题,在此归纳为“书画鉴考三题”并依次展开分析。其一,以董其昌在崇祯己巳(1629)“中秋”的一天为例,就现存传世作品及相关文献分析,董氏一天之内不可能进行那样多的书画创作、鉴赏和交易活动,其中必有不可信的作品及文献记载;其二,董其昌书画“双胞”现象并非个案,如以甲、乙两作为“双胞”,而甲与丙、丁三作间亦有款书的“双胞”现象,不仅在他人作品中罕见,逻辑上也难以得出有真有假的结论;其三,曾发现王翚或其书画传习者仿伪王时敏、王鉴现象,以此逻辑推论,他们也会仿伪董其昌书画,作者在研究中即有不少发现。A further discussion about the identification of Dong Qichang’s works arises from the doubt that there are faked works among the displayed objects thematically on‘The Four Wangs’Paintings of the Early Qing Dynasty’and‘Dong Qichang’s Masterpieces’respectively organized by The Palace Museum and Shanghai Museum.This thesis presents three aspects:Firstly,it is hardly convincing that Dong Qichang engaged in so many activities of creating,appreciating and trading of paintings and calligraphy and so on in just one day during the middle autumn of Emperor Chongzhen(崇祯)period(1629),which hereby follows that faked products took up a part of the total and the related records can be available in the historical literatures.Secondly,the‘twins works’under the signature of Dong Qichang are of more than one model.For instance,Work A and Work B are twins,but Work A also shares the signature with Work C and Work D,which makes it logically unreasonable to simply conclude that the false get along with the true.Thirdly,it is found that Wang Hui or his followers had the experience of copying the works of Wang Shimin and Wang Jian.If so,they were likely to plagiarize Dong Qichang’s works,either.It is the case,as is already proved in textual research.

关 键 词：董其昌 王翚 鉴考 仿伪 

分 类 号：G2[文化科学]